Schizophrénie.

Quand Greg de Villanova et le Président échangent leurs personnalités : surprise : ça ne change rien à l'émission! Ils sont toujours deux, face à face, avec leurs disques, et en décousent. Et que je te passe un track formidable, et que je te réponds avec un autre tout aussi éclatant ; et que je te critique quand même parce que je te châtie bien, et que je fais pareil mais en mieux... À vous de désigner dans votre petit coeur votre animateur préféré, mais cela n'aura aucune conséquence.

🌎 Le Président and Greg de Villanova resume their vinyl turf war with full-length jazz tracks, from Dexter Gordon’s bebop swagger on “Tanya” to Pharoah Sanders’ tectonic tenor on “Movement 7”. Expect soul jazz, spiritual jazz and hard bop colliding with Hammond grind from Jimmy Smith and Lou Donaldson, plus post-bop angle from Eric Dolphy and Freddie Hubbard. Funny Parisian bickering, very serious crates.

1. Tanya - Dexter Gordon.
2. Movement 7 - Pharaoh Sanders & London Symphony Orchestra.
3. Blue Lights - Henry Franklin.
4. Orange Peel - Reuben Wilson.
5. Niara - Doug Lucas.
6. Pot Belly - Lou Donaldson.
7. Booker’s Waltz - Eric Dolphy.
8. Blacks and Blues - Bobbi Humphrey.
9. Root Down and Get It - Jimmy Smith.
10. Flight Time - Donald Byrd.
11. Ornette’s Cornet - Dollar Brand & Abdullah Ibrahim.
12. Oliloqui Valley - Herbie Hancock.
13. Betcha by Golly, Wow - Freddie Hubbard.

📝 Fq1-Θ9⋮L, 5 May 2025(Planet number 27)

Teal water laps beneath frescoed terraces; market baskets travel upstairs on counterweighted ropes. Two ferries are requisitioned, so wedding guests share the vegetable barges, holding their embroidered hems above the cabbages.

Le Président insists their courtyard bench is upstream of Greg de Villanova’s spilled drink. Greg points to the communal water channel, which reverses every afternoon. Neither moves his sandals.

Dexter Gordon, an early pioneer of express canal deliveries, spent years among the northern islands. At the southern docks, returning merchants still ask him to settle arguments about the proper temperature of pickled kelp.

Pharoah Sanders whispers marriage notices through a courtyard speaking-tube, then opens three resonating valves for the fruit auction. His wife shuts their bedroom window before he reaches the melons.

Henry Franklin keeps the market’s contract archive. He unrolls agreements bearing Freddie Hubbard’s and Hugh Masekela’s seals, using a particularly disputed delivery receipt to shield his lunch from terrace spray.

Reuben Wilson cuts irrigation grooves into clay balcony trays. Young rooftop gardeners take wax impressions while he argues with a neighbour whose hanging cucumbers repeatedly enter his breakfast bowl.

Doug Lucas migrated north in the late sixties. Beside the docks, he combines island beans with mainland pepper sauces; Bruno Castellucci tends the steam pots and insists his name belongs on the awning.

Lou Donaldson brings his later pastry experiments to the communal picnic. Three lunch-stall owners quietly pocket crumbs for analysis; he places a saucer beside the platter and starts charging for specimens.

Eric Dolphy moves between loom, potter’s wheel and glassblower’s pipe in the artisan’s workshop. His sister holds up three unfinished wedding presents and asks which engagement he intends to honour.

Bobbi Humphrey, the Blue Note trading house’s first woman captain, inspects embroidered sailcloth at the market. Her fiancé proposes matching tunics. She orders enough material for one.

Jimmy Smith demonstrates the Hammond B-3 circulation pump beneath the public baths. His installation diagrams hang in half the hillside washhouses; today he wants somebody else to scrub the intake.

Donald Byrd’s black seabird bathing costumes outsell everything beneath the market awnings. He studied pattern construction with Nadia Boulanger in the northern capital; rationed cloth now makes his necklines particularly economical.

Abdullah Ibrahim collects a parcel addressed to Dollar Brand. The dock clerk finds Adolph Johannes Brand on his birth tablet and requests another witness. Behind him, his cousins open the figs.

Herbie Hancock designed a tidal clock for the Great Hall at eleven. This afternoon he lies beside the courtyard channel, floating orange peel towards his partner’s ankles.

Freddie Hubbard’s terrace designs appear beside John Coltrane’s, Ornette Coleman’s and Eric Dolphy’s on civic dedication plaques. He draws equally expansive plans for experimental floating homes; his client requests somewhere to hang washing.

Remember to empty the crumb tray.

BATTLE JAZZ GALACTICA

Always the Full Tracks.

Killer Vinyl Cuts and Short French Banters.

Mondays at 11 PM, Thursdays at noon on Radio Campus Paris, 93.9 FM & DAB+, Wednesdays at 6 PM on Campus FM, Toulouse, 94.0 FM.